![]() Researching and documenting the love legends of Punjab, is an attempt to simultaneously address the geopolitical as well as social contradictions that afflict Southasia in a mass scale today. There has been a need felt for a cultural project in Southasia which brings issues of cross-national and cross-cultural to a level where the mass public can empathise.
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Tales of overwhelming love thwarted by the forces of societal constraint and circumstance are a staple across Southasia, all the way from the mountains of Afghanistan to the coast of Sri Lanka. Even as the thwarted love of two individuals is the focal point of these stories, they can be read at a number of levels. To begin with, they contain a wealth of information on the cultural norms and compulsions of the times; ranging from the laws of inheritance, the societal view of outsiders, the nature of the people’s relation with their rulers, to the societal, community and familial hierarchy of the times, among other issues.
On another level, the reason for which the union between the two main protagonists is forbidden is also worth studying. Whether the objection is based on the ethnicity, faith, geographical origin, class or caste of the two characters is telling of societal priorities and prejudices. A systemic study of the forbidden in love is crucial to understanding the region outside the purely political framework.
Researching and documenting the four famous love legends of Punjab viz. Heer-Ranjha; Sohni-Mahiwal; Sassi-Punnu; and Mirza-Sahiban, is an attempt to simultaneously address the geopolitical as well as social contradictions that afflict Southasia in a mass scale today.
Beyond that, it is also relevant to contemporary society, at a time when a number of Southasian societies are becoming increasingly rigid and intolerant in their definition of what constitutes an 'acceptable' love or marriage. We are also actively using the research material as tools to facilitate workshops with youth across colleges and universities in both, India and Pakistan; opening avenues to bring into the public sphere – free and open discussions on ‘forbidden love’.
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Love Legends
Forbidden love: The Love Legends of southasia
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Legendary lovers in Pakistani cinema
Haroon Khalid traces the common threads between Mirza Sahiban (1947), Sassi Punno (1968), Heer Ranjha (1970) and Sohni Mahiwal (1976).
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Buddha, Sohni and the Canvas of Life
Daljit Ami shows how artist Malkit Singh's rendition of Sohni - in Japan - teases out universal themes from the legend.
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Ghara: Songs of Sohni-Mahiwal
Singing of another important character in Sohni-Mahiwal
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Immeasurable Love
Arpana Caur’s Sohni transcends the centuries to symbolise the predicament of the modern woman.
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This section is our attempt at creating and sharing a comprehensive database of resources related to the love legends of Southasia. The aim is to build a solid reference for the general public as well as for future research work to be carried out on the subject. We encourage you to submit relevant resources and help us build the database.
Browse Resources
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8 December 2015 |
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Fernando Botero’s contribution to the city of Medellin is not just the very
13 October 2015 |
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The Judicial Historical Archives allows a peek into centuries-old notions of
10 September 2015 |
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9 September 2015 |
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Nepal is still reeling with shocks and aftershocks after the earthquake on 25th
26 April 2015 |
"Hri" - a sound or a vibration, the utterance of which awakens the empathy that is an inherent part of every sentient being. Regionalism must no longer remain a prisoner of platitude, since there is a consensus that geopolitical friction, poverty and pressing environmental issues as well as cultural and social dislocation must be addressed through the regional framework. There is a need to revive and energise discussions of regionalism on the platform of mainstream politics, public information and research, with a dynamic Southasian sensibility.
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